《心中观世音》是一部解读中国传统文化，宣扬和谐理念的影片。 　　影片主要讲述了中华民族的观音信仰、普陀山的由来和“和谐济世、扶危济困”的观音文化的演变与传承，诠释了千百年来人们为完善道德品质所追求的目标，反映了佛教从古印度传入中国，再东传到朝鲜和日本的文化史，不仅收入以前人所未知的若干资料，导演和编剧还率摄制组远赴甘肃敦煌、山西云冈、西藏拉萨、四川大足以及印度和日本拍摄。影片打破一般宗教题材的惯例，着重从文化的角度去点染观世音，从世俗的角度去介绍观世音，特别着重介绍观世音身上反映出的种种文化现象和中华民族心中那种大慈大悲的价值观。并通过蒙太奇的手法，把美丽的观音故事、丰富的观音文化，艺术地呈现于银幕，让观众撩开佛教上空袅袅飘荡的五彩祥云，深刻体味佛教独特的色空世界。片中的佛教渊源、佛教与中国多元文化如何碰撞、交融的历史嬗变，还着重表现了佛教对现代人的生活如何产生着影响。影片由“五个一工程奖”获得者、国家一级导演张鑫先生执导，片中解说由著名演员濮存昕担纲，值得期待。 　　影片在审片阶段就获得了影视主管部门及宗教界等各界人士的高度赞扬和一致好评，相信对广大观众来说也将是一次难得的心灵体验。

地球历2110年。成功进入宇宙的人类，把多个资源小行星收归入囊，他们认为这样就与未来和繁荣挂钩了。 　　但是，在外宇宙的桥头保——木星圈，自称“泛银河统一帝国”的神秘势力乌鲁加尔袭来，使得地球陷入了关乎存亡的危机。 　　这时候，通过操控遗传基因而适应宇宙的人类诞生了，因此成立了特务机关MJP，而其下属Rabbids小队的少年们，驾驶最新锐的战斗机甲ASH，作为全地球防卫军GDF撤退的盾牌而被送往战斗前线。 　　面对着拥有压倒性战力的敌军，他们能够生存下去么……

A bunch of lovely teenage schoolgirls work at a secret brothel where they have sex with high paying older men. After the girls all get arrested for prostitution, several of them discuss how they wound up working at said brothel: Helga gets guys to do her homework in exchange for sex, an ice cream parlor waiter promises three gals free ice cream if they all have sex with him, enticing hitchhiker Monika lures men to a remote barn so she can rob them of their money, brainy virgin Karla convinces her father’s business partner to deflower her, an uptight Prussian teacher encounters rowdy Bavarian students in his classroom, and smitten student Gaby pretends to be her mother so she can make love to a teacher she has a crush on.

A bunch of lovely teenage schoolgirls work at a secret brothel where they have sex with high paying older men. After the girls all get arrested for prostitution, several of them discuss how they wound up working at said brothel: Helga gets guys to do her homework in exchange for sex, an ice cream parlor waiter promises three gals free ice cream if they all have sex with him, enticing hitchhiker Monika lures men to a remote barn so she can rob them of their money, brainy virgin Karla convinces her father’s business partner to deflower her, an uptight Prussian teacher encounters rowdy Bavarian students in his classroom, and smitten student Gaby pretends to be her mother so she can make love to a teacher she has a crush on.

After a love affair full of gaslighting comes to an end, Soojin is haunted by the green-lit girl she slept with in a drunken stupor the night before. Her body was glowing; she literally emitted green light. Soojin's friends scold her for losing her mind, but suddenly a UFO appears in the sky of Seoul and starts attacking everyone. Will Soojin be able to find the green girl in the middle of hell? 　　源自：https://siff.kr/en/films/%ea%b0%80%ec%8a%b4%ec%9d%b4-%ed%84%b0%ec%a7%88-%ea%b2%83%eb%a7%8c-%ea%b0%99%ec%95%84/

2010年年底，一位在家乡工作的高中同学突然给我打来电话，说他正在北京出公差。于是，12年未曾谋面的他和我在首都北京重逢了。 见面后，才知道他现在官至家乡某乡的副乡长，此次来京执行一项特殊的任务。不过他似乎对自己的工作并无多大兴趣，而正好借此机会走朋访友，观光购物。最让他觉得不虚此行的，是逮住一次机会进了一趟某个著名而神秘的大院，尽管逗留时间短暂，但那里面的宁静和庄严让他记忆深刻。一直到了洗脚城里他还在兴奋地跟我絮叨：你知道吗？有一种静叫庄严。 导演阐述： 一次偶然的他乡遇故知，却没有心情把酒话桑麻。因为故乡早不是故乡，故知亦不是故知。只有祖国母亲依旧庄严淡定，仿佛这些喧哗与宁静，理想与犬儒，荒诞与现实从未曾在这片神奇的土地上纠结过。

由摩登天空出品、吉术斋制作的后海大鲨鱼音乐电影《心要野：后海冲浪手的大冒险》以后海大鲨鱼乐队2016年的“心要野”全国巡演为主要线索，跨越时间与空间的广度，完整记录下了乐队自2013年以来在世界各地漂流又重聚、并在回归音乐的冒险旅途中发现自我的过程。 　　《心要野：后海冲浪手的大冒险》由吉术斋导演青蛙君执导。影片从巡演的第一视角切入，通过展现乐队成员在巡演途中台前幕后的所见所想，并穿插《心要野》专辑制作前后的珍贵过往影像素材。在拉萨吸着氧气瓶的演出，吐鲁番迷走沙漠寻找葡萄，一次次重返大都市的迷失……当然还有乐队去年发行的唱片《心要野》和一系列傻乎乎的冲浪手大冒险。最终历经长达一年的拍摄制作，交织成为一部关于中国摇滚乐队、反映当代青年文化现状的真实纪录。

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。